Interviews
Phantoms
The Pagan Winter
The Haunting
Souldive
Grand Destiny
Forsaken Symphony
Sear Bliss
(interview by Jeroen; Noise Magazine)

Everybody should have heard the stricking debut from these Hungarians. "Phantoms" was able to blow a new breeze through the struck and conservative black metal scene, they proved that the use of symphonic arrangements didn't have to be dull and their use of a trumpet was very unique. Unfortunately, the Mascot label wasn't competent to treat this band properly, and after the next release, "The Haunting", which revealed a more mature band, Sear Bliss disappeared into silence. We asked András Nagy, founder and vocalist, what the band has been doing until now…

It may seem that silence embraced us, but, actually, we were more active than ever. After the release of "The Haunting", we played a lot of gigs in Hungary, Austria, Germany and Slovakia. The reason why you didn't hear anything of us at that time is because we didn't tour Europe to support "The Haunting". Actually, we were offered to tour with Ancient in May 1998 but we had to cancel it due to my studies. It's a pity. We were promised by our label to tour later but nothing happened. So we had many gigs and we played at several festivals but that's why we are "popular" in Hungary rather than in Holland. The fact is that our label didn't support us.
They thought that the success of "Phantoms" will sell the new album. On the other hand, they started to concentrate more on the progressive rock bands, they were not interested in black metal anymore, so the promotion was weak and this is what caused the silence around us. However, we were very active and we wrote the material for the new album. We were really disappointed, so we moved apart. The responses were quite good on this album, anyway. It became really successful in Greece, Slovakia, Hungary, etc. Still, a tour definitely would have helped a lot.

Was the record company pleased with the album? The band seemed to be left to its fate; maybe Mascot expected more from the unique band with the trumpet. Maybe they would have preferred a more "commercial" (read: easy listening) album, and not such a difficult one as "The Haunting" was…?

Yes, you are right, "The Haunting" is definitely a difficult album. It needs more than one listening. They liked the album but were not pleased with it, as they wanted shorter songs, you know. Anyway, I believe "The Haunting" is difficult because of the strange sound, too. We wanted a bombastic sound but we were not allowed to stay in Holland for the mixing, which was completed by Mascot with no sense at all.
They fucked up the sound. It's shit. You can hardly hear the drums while the keyboards are very loud, there's a lot of effects on the instruments. I hate it. Next time we will not make this mistake.

As far as I know, you haven't been on tour for promoting that album. Also due to a lack of interest from the label? Do you actually like to go on the road for a while?

I have already answered your first question. I enjoy touring more than anything else. When we toured with Marduk in 1997, it really was a milestone in the life of Sear Bliss and in mine as well. So I hope we can experience it in the future when our new album is out. To be on tour is not so easy, I mean you have to travel a lot. For example, we did 8200 kilometres in 12 days. It's quite tiring but I enjoyed it very much.

Don't you think that many bands are on the wrong track; I mean, they're expecting so much from their label, talking about promotion and so on, but a band like AC/DC (and many of those old bands) became famous by their intense tours. One can say that times are changing, but, on the other hand, Aeternus from Norway, which has become very popular, has been on every stage in Europe. Your comment…

You are right but you should know that a band can't organize a tour without its label. The tours depend only on the label. So without their support we can't go on tour. We would be on tour all the year if we had the opportunity. If your label does not support your tour, you can't do anything.

What's the band doing these days? Any new material written? Has the time of inactivity had any effect on the band?

We have just finished the recording of two brand new songs. It is for promotional use but we are very satisfied with the result, so we will sell it in limited edition. The sound became much better than on "The Haunting", however, we spent only five days in the studio.
We are looking for a trustable label with this mini CD. I hope we will find a good one. We have already received some offers but we will wait for the reactions with this new material.
Anyway, the whole material for the new album is written. It will contain seven songs and it is going to be the most powerful stuff by us so far. As I told you, there was no inactivity in the band. We have been writing and polishing songs for almost two years now.

How's life in Hungary? I've been to Croatia once, many young people seemed to be very interested in material things, expensive clothes, a decent presence,… but when I saw their home, they didn't seem to be that settled. Anything alike in your country?

Yes, it's the same over here. People buy the most expensive clothes and shoes because they think that's the most important thing. The income is very low in Hungary, so there remains no money for their homes. Money is always the biggest problem over here but, fortunately, there is a strong progression in our country, so life is a lot easier than 5 or 10 years ago. We also have difficulties but I don't care.

Have things really changed after the fall of the Wall of Berlin? I can understand it had its positive (?) consequences for Eastern Germany, but what about the other countries? I mostly have the same view about all those East European countries, Romania, Bulgaria, Croatia… They're all the same for me, but there must be some big differences (not only economically)? Is this kind of view something typically western?

Yes, there are big differences, so that kind of view is wrong. Fortunately, Hungary is an advanced country compared to those you mentioned. You can find and buy anything in Hungary, just like in your country. Hungary developed very much in the last ten years, it's not the typical eastern country as most western people think. They don't even know where Hungary is.

How big is the influence from your country on your life of being a musician?
Are there many facilities for a band? Do you have any support; subventions or something?
Does this situation also have something to do with the fact that you've recorded the last album in Holland?

Hungary is a big influence on us. I love living in this country. The situation is very difficult for a young band but fortunately Sear Bliss is quite well known in Hungary, so we have facilities and it is easier for us to find a sponsor and that's good. Though we are now used to working on our own. Anyway, the fact that we recorded our last album in Holland and that we toured Europe helped a lot. We are the first Hungarian band to have reached all these and it's really surprising in our country. So we get support but envy too.

Can we talk of a scene in your country? Many bands are emerging from Russia these days, due to a healthy xxxx round, frequently circulating tapes,… which catch the interest of some West European labels. Does it work the same where you live?
Are there any other interesting bands?

The Hungarian scene isn't that big but strong and there are a couple of unique bands. I hope they will get international recognition too. Anyway, Tormentor and Evensong have contract from abroad. They are cool. Check them out.

How can you get your music, I can imagine it had to be very difficult to get your CDs?
How did you come in contact with extreme music? Were many metal bands known in Hungary before 1990s? How's the situation today?

No, it's not difficult to get our CDs. I'm into metal since 1987 and I started to find our more extreme music later. I still remember that the first metal album I heard was "Inside the Electric Circus" from WASP. It changed my life. It shocked me. I still love them. The Hungarian scene was very strong before the 90's but there was no chance for them to get international recognition. Those were quite troublesome years back then. Only Tormentor became famous in the underground. As I told you, now things are changing.

Some experiments could be heard on the last album. It contained a certain "jazzy" feeling.
Don't you think it would be very interesting to introduce some more (other) non-metal ingredients in Sear Bliss' music?

I think the use of trumpet is also outside the limits of metal, however, it fits very well into our music. Our drummer is involved in a jazz band, he improved a lot, so you can expect more exciting drumming on the new album, however, musicwise it will not be so experimental this time. The songs are going to be very fierce. Of course, we have some surprises.

Without denying the other's music, many bands which are running through the border of metal, are coming close to art. (Think Dodheimsgard, In the Woods, Ulver, Fleurety…) Do you look upon your music as art? How do you define your creativity?

It's art, definitely. Real music is a kind of self-expression and not a product to sell. It's art as long as it comes from within. When we create music it comes right from our hearts, that's why I dare to call it art.

What goes on in your head when music appears? Can you always create what you have in mind?

I always forget if a good melody comes to my mind, haha. Actually, I play the guitar for hours, so the ideas come when I rehearse. If I got a couple of catchy melodies, I try to create the whole song in my mind, then I take the guitar and play it. That kind of song writing process is the most comfortable for me. Usually, I polish a song for a quite a long time. I often change it while I get the final result.

Sear Bliss' music sounds very honest, do you sometimes feel like you have to reveal too much of yourself?

Yes, the music we create is very honest as we express ourselves. We express our moods and feelings with our music. It's only natural to create ourselves. We are what we are. Five dark people with a message.

Do dreams have an influence on you? Are you a person who likes to be far off this planet for a while? After having heard your music, I think you must be. Is it an escape for you? For what?

Dreams have a great impression on us. Yes, you are absolutely right, I like to be far off this planet. In our new songs this fact becomes clearer. I always long to leave this planet for a while and it reflects in our music. I like being alone and I create music when I'm alone and then this is what I feel, so you hit the nail on the head. Yeah, it's an escape. An escape from the sickness of mankind. We are all sick and we do not deserve to belong to the clarity of nature.

Many of the lyrics were written by a stranger, feel free to introduce him to the readers.
Isn't it difficult to song another's lyrics? Can you put the right emotions in it?

They are close friends of ours. They knew our music and the songs very well, so they created the lyrics for us which we liked and thought would fit well to the songs, so we used their ideas. We like these lyrics. The names of those who contributed to the lyrics are: Attila Halász, he's been a great friend of mine for a long time. He taught me to speak English and he helped Sear Bliss a lot when we started. Anyway, he lives in Australia. László Fodor is a friend of ours and he is the editor of the Stygian Shadows zine and David Bowers is a Sear Bliss fan from the States and we are in contact for years now. It's not difficult to sing their lyrics as they are much better than mine. I mean they reflect exactly what I feel. I feel those lyrics as if they were mine, as these feelings dwell in my heart but I can't express it that way.

What was the last thing which staggered you?

The last thing that staggered me? Hmm… the failure of the Mars Surveyor. This expedition had a great significance for mankind but no signs reached the Earth, unfortunately.

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